Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | St Michael and the Dragon | Ware | Maria mit Christuskind und zwei Heiligen, Tondo | The Expulsion of Heliodorus from the Temple | The Cardinal Virtues |
Related Artists:
Giovanni Francesco Barbieri Called Il Guercino
Cento 1591-Bologna 1666
Pieter de Ring
(1615/1620 - 22 September 1660, Leiden) was a Dutch Golden Age painter of still lifes. became famous for his opulent, flashy still lifes or banquet pieces with fruit, a lobster, a goblet, shrimps, oysters, a rug and Chinese porcelain. His signature is often a painted ring or with the Latinised form of his name, P.Ab.Annulo. De Ring was born either in Leiden, or in Ypres in Flanders, but there is no trace of his birth in the Leiden archives, and the Ypres Archives were destroyed in August 1914. Pieter de Ring started as a mason and painted still lifes in the evening. When the hall was filled with paintings he became a pupil of Jan Davidsz. de Heem, until 1635 living in Leiden. His father Daniel died in 1648; in 1657 his mother lived in Amsterdam. De Ring himself lived in a house at Hogewoerd. There are no records in the Leiden Archive on his marriage or children. He appears not to have bought a house there nor wrote a will. What is known is that he became one of the founders a member and of the Guild of St. Luke in 1648, De Ring was buried in the Pieterskerk, Leiden on 22 September 1660 and taken to church from a house in the Nonnensteeg. If he had his studio there he probably had a view on the Leiden Academy building. If he lived on the east side of the alley he had a beautiful view on the Hortus Botanicus of Leiden, the work of Clusius.
James Northcote
RA (22 October 1746 - 13 July 1831), was an English painter was born at Plymouth, and was apprenticed to his father, a poor watchmaker. In his spare time, he drew and painted. In 1769 he left his father and set up as a portrait painter. Four years later he went to London and was admitted as a pupil into the studio and house of Sir Joshua Reynolds. At the same time he attended the Royal Academy schools. In 1775 he left Reynolds, and about two years later, having made some money by portrait painting back in Devon, he went to study in Italy. On his return to England, three years later, he revisited his native county, then settled in London, where John Opie and Henry Fuseli were his rivals. He was elected associate of the Academy in 1786, and full academician in the following spring. The "Young Princes murdered in the Tower," his first important work on a historical subject, dates from 1786, and it was followed by the "Burial of the Princes in the Tower". Both paintings, along with seven others, were intended for Boydell's Shakespeare Gallery. The "Death of Wat Tyler", now in the Guildhall, London, was exhibited in 1787; and shortly afterwards Northcote began a set of ten subjects, entitled "The Modest Girl and the Wanton", which were completed and engraved in 1796. Among the productions of Northcote's later years are the "Entombment" and the "Agony in the Garden," besides many portraits, and several animal subjects, such as "Leopards", "Dog and Heron", and "Lion".